'Whiskey Tango Foxtrot': Developing and Deploying the Film's Final Cut Pro X Workflow with Accusys Storage<\/title>\n <style>\n body {\n font-family: 'Segoe UI', Tahoma, Geneva, Verdana, sans-serif;\n line-height: 1.8;\n color: #333;\n margin: 0;\n padding: 0;\n background-color: #f9f9f9;\n }\n .content {\n background-color: white;\n max-width: 1400px;\n margin: 0 auto;\n padding: 60px 120px;\n position: relative;\n }\n h2 {\n color: #2980b9;\n margin-top: 40px;\n margin-bottom: 20px;\n font-size: 1.8em;\n border-bottom: 2px solid #000;\n padding-bottom: 10px;\n }\n .image-container {\n margin: 20px 0;\n text-align: center;\n }\n .image-container.left {\n float: left;\n margin-right: 20px;\n width: 40%;\n }\n .image-container.right {\n float: right;\n margin-left: 20px;\n width: 40%;\n }\n .image-container.small-right {\n float: right;\n margin-left: 20px;\n width: 30%;\n }\n img {\n max-width: 100%;\n height: auto;\n border-radius: 8px;\n box-shadow: 0 4px 8px rgba(0,0,0,0.1);\n }\n p {\n text-align: justify;\n margin-bottom: 25px;\n }\n .clearfix::after {\n content: \"\";\n clear: both;\n display: table;\n }\n \n .image-grid {\n display: flex;\n justify-content: space-between;\n margin: 20px 0;\n }\n .image-grid img {\n width: 48%;\n height: auto;\n }\n \n \/* \u97ff\u61c9\u5f0f\u8a2d\u8a08 *\/\n @media (max-width: 1200px) {\n .content {\n padding: 60px 80px;\n }\n }\n \n @media (max-width: 768px) {\n .content {\n padding: 40px 40px;\n }\n .image-container.left,\n .image-container.right,\n .image-container.small-right {\n float: none;\n width: 100%;\n margin: 20px 0;\n }\n .image-grid {\n flex-direction: column;\n }\n .image-grid img {\n width: 100%;\n margin-bottom: 20px;\n }\n }\n \n @media (max-width: 480px) {\n .content {\n padding: 30px 25px;\n }\n }\n <\/style>\n<\/head>\n<body>\n <div class=\"content\">\n <div class=\"image-container\">\n <img decoding=\"async\" src=\"https:\/\/www.accusys.com.tw\/wp-content\/uploads\/2025\/07\/Banner_A16S3-01_7qxo.jpg\" alt=\"Accusys Storage Banner\">\n <\/div>\n\n <h2>Giri\u015f<\/h2>\n \n <p>Whiskey Tango Foxtrot filmi, Kim Barker'\u0131n an\u0131 kitab\u0131 The Taliban Shuffle: Strange Days in Afghanistan and Pakistan'dan uyarlanan, Afganistan'da bir kad\u0131n gazetecinin deneyimlerini konu alan karanl\u0131k bir komedi. Paramount Pictures, Tina Fey, Margot Robbie, Martin Freeman, Billy Bob Thornton ve Alfred Molina'n\u0131n rol ald\u0131\u011f\u0131 film uyarlamas\u0131 i\u00e7in John Requa ve Glenn Ficarra'dan (Focus; Crazy, Stupid, Love; I Love You Phillip Morris) olu\u015fan yazar\/y\u00f6netmen ekibiyle anla\u015ft\u0131.<\/p>\n\n <div class=\"image-container right\">\n <img decoding=\"async\" src=\"https:\/\/www.accusys.com.tw\/wp-content\/uploads\/2025\/07\/df1116_wtf_4.jpg\" alt=\"Whiskey Tango Foxtrot Scene\">\n <\/div>\n\n <p>\u0130kili, Focus'u tamamlad\u0131ktan hemen sonra Whiskey Tango Foxtrot'un yap\u0131m\u0131na ba\u015flad\u0131. Edit\u00f6r Jan Kovac'\u0131 da yanlar\u0131na ald\u0131lar ve kurgu i\u00e7in Apple Final Cut Pro X kulland\u0131lar.<\/p>\n\n <div class=\"clearfix\"><\/div>\n\n <h2>Genel Durum - De\u011ferlendirme<\/h2>\n\n <p>Ekip, Focus i\u00e7in kulland\u0131\u011f\u0131 Apple ProRes 4444'\u00fc \u00e7ekmek yerine, ARRI taraf\u0131ndan ALEXA'larda kullan\u0131lan yeni ProRes 4444 XQ kode\u011fini kullanmaya ba\u015flad\u0131. Yap\u0131m\u0131n b\u00fcy\u00fck k\u0131sm\u0131, ProRes 4444 XQ kode\u011fi kullan\u0131larak 2K sinema format\u0131nda kay\u0131t yapan iki ALEXA ile \u00e7ekildi. Filmde yakla\u015f\u0131k 1.000 g\u00f6rsel efekt \u00e7ekimi bulunuyor.<\/p>\n\n <div class=\"image-container left\">\n <img decoding=\"async\" src=\"https:\/\/www.accusys.com.tw\/wp-content\/uploads\/2025\/07\/df1116_wtf_6.jpg\" alt=\"Film Production\">\n <\/div>\n\n <p>Ayr\u0131ca, sette kamera dosyalar\u0131n\u0131 alan, temel bir renk LUT'u ekleyen, prod\u00fcksiyon sesini senkronize eden ve ard\u0131ndan Apple iPad'lerde departman y\u00f6neticilerine da\u011f\u0131t\u0131lan g\u00fcnl\u00fck izleme kay\u0131tlar\u0131 olu\u015fturan bir DIT de vard\u0131. DIT ayr\u0131ca, tam 2K ProRes 4444 XQ \u00e7\u00f6z\u00fcn\u00fcrl\u00fckte editoryal dosyalar da olu\u015fturdu.<\/p>\n\n <div class=\"clearfix\"><\/div>\n\n <h2>\u00c7\u00f6z\u00fcm<\/h2>\n\n <div class=\"image-container small-right\">\n <img decoding=\"async\" src=\"https:\/\/www.accusys.com.tw\/wp-content\/uploads\/2025\/07\/solution.png\" alt=\"Accusys ExaSAN Solution\">\n <\/div>\n\n <p>Hem kamera orijinal dosyalar\u0131 hem de renk d\u00fczeltmeli kurgu dosyalar\u0131, filmin post prod\u00fcksiyon merkezindeki 160 TB'l\u0131k bir Accusys ExaSAN sisteminde saklan\u0131yordu. \u0130ki Mac Mini, meta veri denetleyicisi olarak kullan\u0131l\u0131yordu. Kovac \u015f\u00f6yle a\u00e7\u0131kl\u0131yor: \"Kurgulamak i\u00e7in her zaman en y\u00fcksek kalitede g\u00f6r\u00fcnt\u00fcye sahip olmak, herhangi bir zamanda en y\u00fcksek kalitede g\u00f6sterimler elde edebilece\u011fimiz anlam\u0131na geliyordu. Filmi her zaman nihai \u00fcr\u00fcne \u00e7ok yak\u0131n bir durumda g\u00f6r\u00fcyorsunuz. G\u00f6rsel efektler \u015firket i\u00e7inde ger\u00e7ekle\u015ftirildi\u011fi i\u00e7in, kamera orijinal dosyalar\u0131n\u0131n SAN'da olmas\u0131 mant\u0131kl\u0131yd\u0131. Bu \u015fekilde, normalde bu dosyalar\u0131 depolayabilecek laboratuvar veya post prod\u00fcksiyon ekibiyle koordinasyon gibi ara ad\u0131mlara gerek kalmadan, \u00e7ekimler g\u00f6rsel efekt \u00e7al\u0131\u015fmalar\u0131 i\u00e7in h\u0131zla al\u0131nabiliyordu.\"<\/p>\n\n <p>T\u00fcm medya ve render dosyalar\u0131 ExaSAN depolama alan\u0131nda tutuluyordu, ancak Final Cut Pro X k\u00fct\u00fcphane dosyalar\u0131n\u0131n d\u0131\u015f\u0131nda tutuluyordu, b\u00f6ylece dosyalar\u0131n boyutu k\u00fc\u00e7\u00fcl\u00fcyordu. K\u00fct\u00fcphane dosyalar\u0131, filmin her bir makaras\u0131 i\u00e7in ayr\u0131 bir FCPX k\u00fct\u00fcphane dosyas\u0131yla ayr\u0131 bir NFS sunucusunda (NFS Y\u00f6neticisi kullanan bir Mac Mini) saklan\u0131yordu. Bu, edit\u00f6rlerin ve asistanlar\u0131n, o s\u0131rada ba\u015fka biri kullanm\u0131yorsa, t\u00fcm FCPX k\u00fct\u00fcphane dosyalar\u0131na eri\u015febilmelerini sa\u011fl\u0131yordu. Ge\u00e7ici ses efektleri ve m\u00fczik se\u00e7imleri i\u00e7in payla\u015f\u0131ml\u0131 bir iTunes k\u00fct\u00fcphanesi, t\u00fcm makinelerin o konuma i\u015faret etti\u011fi SAN'da saklan\u0131yordu. Herhangi bir edit\u00f6r, Final Cut i\u00e7inden iTunes k\u00fct\u00fcphanesinde m\u00fczik ve ses efektleri arayabilirdi.<\/p>\n\n <div class=\"image-grid\">\n <img decoding=\"async\" src=\"https:\/\/www.accusys.com.tw\/wp-content\/uploads\/2025\/07\/df1116_wtf_8.jpg\" alt=\"Editing Process\">\n <img decoding=\"async\" src=\"https:\/\/www.accusys.com.tw\/wp-content\/uploads\/2025\/07\/df1116_wtf_9.jpg\" alt=\"Post-production Team\">\n <\/div>\n\n <div class=\"clearfix\"><\/div>\n\n <h2>Sonu\u00e7lar<\/h2>\n\n <p>\"Yeni y\u00f6ntemler kullanan film yap\u0131mc\u0131lar\u0131, mevcut durumdan memnun olmayanlard\u0131r. S\u0131n\u0131rlar\u0131 zorlamaya isteklidirler,\" diyor ortak y\u00f6netmen Glenn Ficarra.<\/p>\n\n <p>Accusys, basit\u00e7e ba\u015fka bir \"ben de\" SAS veya fiber kanal \u00fcr\u00fcn\u00fc yaratmak yerine, PCI-E'nin h\u0131zla artan performans zarf\u0131ndan yararlanacak yeni nesil cihazlar \u00fcretti. PCI-E teknolojisinin ilerlemesi art\u0131k PCI-E Gen3'e ta\u015f\u0131n\u0131yor. Accusys depolama \u00e7\u00f6z\u00fcmleri, dijital i\u00e7erik olu\u015fturucular\u0131na d\u00fczenleme i\u015f ak\u0131\u015f\u0131nda b\u00fcy\u00fck bir performans iyile\u015ftirmesi sa\u011flad\u0131 ve Final Cut Pro gibi profesyonel ara\u00e7larla ak\u0131c\u0131 bir \u015fekilde uyumlu hale geldi.<\/p>\n\n <div class=\"image-container\">\n <img decoding=\"async\" src=\"https:\/\/www.accusys.com.tw\/wp-content\/uploads\/2025\/07\/df1116_wtf_3.jpg\" alt=\"Film Production Team\">\n <\/div>\n <\/div>\n<\/body>\n<\/html>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Accusys ExaSAN storage and Apple Final Cut Pro X enabled high-quality, efficient VFX work for ‘Whiskey Tango Foxtrot’ with a 160TB storage system.<\/p>","protected":false},"author":1,"featured_media":990863,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[63],"tags":[],"class_list":["post-988442","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-success-stories"],"_links":{"self":[{"href":"https:\/\/www.accusys.com.tw\/tr\/wp-json\/wp\/v2\/posts\/988442","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.accusys.com.tw\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.accusys.com.tw\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.accusys.com.tw\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.accusys.com.tw\/tr\/wp-json\/wp\/v2\/comments?post=988442"}],"version-history":[{"count":5,"href":"https:\/\/www.accusys.com.tw\/tr\/wp-json\/wp\/v2\/posts\/988442\/revisions"}],"predecessor-version":[{"id":990937,"href":"https:\/\/www.accusys.com.tw\/tr\/wp-json\/wp\/v2\/posts\/988442\/revisions\/990937"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.accusys.com.tw\/tr\/wp-json\/wp\/v2\/media\/990863"}],"wp:attachment":[{"href":"https:\/\/www.accusys.com.tw\/tr\/wp-json\/wp\/v2\/media?parent=988442"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.accusys.com.tw\/tr\/wp-json\/wp\/v2\/categories?post=988442"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.accusys.com.tw\/tr\/wp-json\/wp\/v2\/tags?post=988442"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}

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\n\t\t\t\t\t\n\n\n \n \n 'Whiskey Tango Foxtrot': Developing and Deploying the Film's Final Cut Pro X Workflow with Accusys Storage<\/title>\n <style>\n body {\n font-family: 'Segoe UI', Tahoma, Geneva, Verdana, sans-serif;\n line-height: 1.8;\n color: #333;\n margin: 0;\n padding: 0;\n background-color: #f9f9f9;\n }\n .content {\n background-color: white;\n max-width: 1400px;\n margin: 0 auto;\n padding: 60px 120px;\n position: relative;\n }\n h2 {\n color: #2980b9;\n margin-top: 40px;\n margin-bottom: 20px;\n font-size: 1.8em;\n border-bottom: 2px solid #000;\n padding-bottom: 10px;\n }\n .image-container {\n margin: 20px 0;\n text-align: center;\n }\n .image-container.left {\n float: left;\n margin-right: 20px;\n width: 40%;\n }\n .image-container.right {\n float: right;\n margin-left: 20px;\n width: 40%;\n }\n .image-container.small-right {\n float: right;\n margin-left: 20px;\n width: 30%;\n }\n img {\n max-width: 100%;\n height: auto;\n border-radius: 8px;\n box-shadow: 0 4px 8px rgba(0,0,0,0.1);\n }\n p {\n text-align: justify;\n margin-bottom: 25px;\n }\n .clearfix::after {\n content: \"\";\n clear: both;\n display: table;\n }\n \n .image-grid {\n display: flex;\n justify-content: space-between;\n margin: 20px 0;\n }\n .image-grid img {\n width: 48%;\n height: auto;\n }\n \n \/* \u97ff\u61c9\u5f0f\u8a2d\u8a08 *\/\n @media (max-width: 1200px) {\n .content {\n padding: 60px 80px;\n }\n }\n \n @media (max-width: 768px) {\n .content {\n padding: 40px 40px;\n }\n .image-container.left,\n .image-container.right,\n .image-container.small-right {\n float: none;\n width: 100%;\n margin: 20px 0;\n }\n .image-grid {\n flex-direction: column;\n }\n .image-grid img {\n width: 100%;\n margin-bottom: 20px;\n }\n }\n \n @media (max-width: 480px) {\n .content {\n padding: 30px 25px;\n }\n }\n <\/style>\n<\/head>\n<body>\n <div class=\"content\">\n <div class=\"image-container\">\n <img decoding=\"async\" src=\"https:\/\/www.accusys.com.tw\/wp-content\/uploads\/2025\/07\/Banner_A16S3-01_7qxo.jpg\" alt=\"Accusys Storage Banner\">\n <\/div>\n\n <h2>Giri\u015f<\/h2>\n \n <p>Whiskey Tango Foxtrot filmi, Kim Barker'\u0131n an\u0131 kitab\u0131 The Taliban Shuffle: Strange Days in Afghanistan and Pakistan'dan uyarlanan, Afganistan'da bir kad\u0131n gazetecinin deneyimlerini konu alan karanl\u0131k bir komedi. Paramount Pictures, Tina Fey, Margot Robbie, Martin Freeman, Billy Bob Thornton ve Alfred Molina'n\u0131n rol ald\u0131\u011f\u0131 film uyarlamas\u0131 i\u00e7in John Requa ve Glenn Ficarra'dan (Focus; Crazy, Stupid, Love; I Love You Phillip Morris) olu\u015fan yazar\/y\u00f6netmen ekibiyle anla\u015ft\u0131.<\/p>\n\n <div class=\"image-container right\">\n <img decoding=\"async\" src=\"https:\/\/www.accusys.com.tw\/wp-content\/uploads\/2025\/07\/df1116_wtf_4.jpg\" alt=\"Whiskey Tango Foxtrot Scene\">\n <\/div>\n\n <p>\u0130kili, Focus'u tamamlad\u0131ktan hemen sonra Whiskey Tango Foxtrot'un yap\u0131m\u0131na ba\u015flad\u0131. Edit\u00f6r Jan Kovac'\u0131 da yanlar\u0131na ald\u0131lar ve kurgu i\u00e7in Apple Final Cut Pro X kulland\u0131lar.<\/p>\n\n <div class=\"clearfix\"><\/div>\n\n <h2>Genel Durum - De\u011ferlendirme<\/h2>\n\n <p>Ekip, Focus i\u00e7in kulland\u0131\u011f\u0131 Apple ProRes 4444'\u00fc \u00e7ekmek yerine, ARRI taraf\u0131ndan ALEXA'larda kullan\u0131lan yeni ProRes 4444 XQ kode\u011fini kullanmaya ba\u015flad\u0131. Yap\u0131m\u0131n b\u00fcy\u00fck k\u0131sm\u0131, ProRes 4444 XQ kode\u011fi kullan\u0131larak 2K sinema format\u0131nda kay\u0131t yapan iki ALEXA ile \u00e7ekildi. Filmde yakla\u015f\u0131k 1.000 g\u00f6rsel efekt \u00e7ekimi bulunuyor.<\/p>\n\n <div class=\"image-container left\">\n <img decoding=\"async\" src=\"https:\/\/www.accusys.com.tw\/wp-content\/uploads\/2025\/07\/df1116_wtf_6.jpg\" alt=\"Film Production\">\n <\/div>\n\n <p>Ayr\u0131ca, sette kamera dosyalar\u0131n\u0131 alan, temel bir renk LUT'u ekleyen, prod\u00fcksiyon sesini senkronize eden ve ard\u0131ndan Apple iPad'lerde departman y\u00f6neticilerine da\u011f\u0131t\u0131lan g\u00fcnl\u00fck izleme kay\u0131tlar\u0131 olu\u015fturan bir DIT de vard\u0131. DIT ayr\u0131ca, tam 2K ProRes 4444 XQ \u00e7\u00f6z\u00fcn\u00fcrl\u00fckte editoryal dosyalar da olu\u015fturdu.<\/p>\n\n <div class=\"clearfix\"><\/div>\n\n <h2>\u00c7\u00f6z\u00fcm<\/h2>\n\n <div class=\"image-container small-right\">\n <img decoding=\"async\" src=\"https:\/\/www.accusys.com.tw\/wp-content\/uploads\/2025\/07\/solution.png\" alt=\"Accusys ExaSAN Solution\">\n <\/div>\n\n <p>Hem kamera orijinal dosyalar\u0131 hem de renk d\u00fczeltmeli kurgu dosyalar\u0131, filmin post prod\u00fcksiyon merkezindeki 160 TB'l\u0131k bir Accusys ExaSAN sisteminde saklan\u0131yordu. \u0130ki Mac Mini, meta veri denetleyicisi olarak kullan\u0131l\u0131yordu. Kovac \u015f\u00f6yle a\u00e7\u0131kl\u0131yor: \"Kurgulamak i\u00e7in her zaman en y\u00fcksek kalitede g\u00f6r\u00fcnt\u00fcye sahip olmak, herhangi bir zamanda en y\u00fcksek kalitede g\u00f6sterimler elde edebilece\u011fimiz anlam\u0131na geliyordu. Filmi her zaman nihai \u00fcr\u00fcne \u00e7ok yak\u0131n bir durumda g\u00f6r\u00fcyorsunuz. G\u00f6rsel efektler \u015firket i\u00e7inde ger\u00e7ekle\u015ftirildi\u011fi i\u00e7in, kamera orijinal dosyalar\u0131n\u0131n SAN'da olmas\u0131 mant\u0131kl\u0131yd\u0131. Bu \u015fekilde, normalde bu dosyalar\u0131 depolayabilecek laboratuvar veya post prod\u00fcksiyon ekibiyle koordinasyon gibi ara ad\u0131mlara gerek kalmadan, \u00e7ekimler g\u00f6rsel efekt \u00e7al\u0131\u015fmalar\u0131 i\u00e7in h\u0131zla al\u0131nabiliyordu.\"<\/p>\n\n <p>T\u00fcm medya ve render dosyalar\u0131 ExaSAN depolama alan\u0131nda tutuluyordu, ancak Final Cut Pro X k\u00fct\u00fcphane dosyalar\u0131n\u0131n d\u0131\u015f\u0131nda tutuluyordu, b\u00f6ylece dosyalar\u0131n boyutu k\u00fc\u00e7\u00fcl\u00fcyordu. K\u00fct\u00fcphane dosyalar\u0131, filmin her bir makaras\u0131 i\u00e7in ayr\u0131 bir FCPX k\u00fct\u00fcphane dosyas\u0131yla ayr\u0131 bir NFS sunucusunda (NFS Y\u00f6neticisi kullanan bir Mac Mini) saklan\u0131yordu. Bu, edit\u00f6rlerin ve asistanlar\u0131n, o s\u0131rada ba\u015fka biri kullanm\u0131yorsa, t\u00fcm FCPX k\u00fct\u00fcphane dosyalar\u0131na eri\u015febilmelerini sa\u011fl\u0131yordu. Ge\u00e7ici ses efektleri ve m\u00fczik se\u00e7imleri i\u00e7in payla\u015f\u0131ml\u0131 bir iTunes k\u00fct\u00fcphanesi, t\u00fcm makinelerin o konuma i\u015faret etti\u011fi SAN'da saklan\u0131yordu. Herhangi bir edit\u00f6r, Final Cut i\u00e7inden iTunes k\u00fct\u00fcphanesinde m\u00fczik ve ses efektleri arayabilirdi.<\/p>\n\n <div class=\"image-grid\">\n <img decoding=\"async\" src=\"https:\/\/www.accusys.com.tw\/wp-content\/uploads\/2025\/07\/df1116_wtf_8.jpg\" alt=\"Editing Process\">\n <img decoding=\"async\" src=\"https:\/\/www.accusys.com.tw\/wp-content\/uploads\/2025\/07\/df1116_wtf_9.jpg\" alt=\"Post-production Team\">\n <\/div>\n\n <div class=\"clearfix\"><\/div>\n\n <h2>Sonu\u00e7lar<\/h2>\n\n <p>\"Yeni y\u00f6ntemler kullanan film yap\u0131mc\u0131lar\u0131, mevcut durumdan memnun olmayanlard\u0131r. S\u0131n\u0131rlar\u0131 zorlamaya isteklidirler,\" diyor ortak y\u00f6netmen Glenn Ficarra.<\/p>\n\n <p>Accusys, basit\u00e7e ba\u015fka bir \"ben de\" SAS veya fiber kanal \u00fcr\u00fcn\u00fc yaratmak yerine, PCI-E'nin h\u0131zla artan performans zarf\u0131ndan yararlanacak yeni nesil cihazlar \u00fcretti. PCI-E teknolojisinin ilerlemesi art\u0131k PCI-E Gen3'e ta\u015f\u0131n\u0131yor. Accusys depolama \u00e7\u00f6z\u00fcmleri, dijital i\u00e7erik olu\u015fturucular\u0131na d\u00fczenleme i\u015f ak\u0131\u015f\u0131nda b\u00fcy\u00fck bir performans iyile\u015ftirmesi sa\u011flad\u0131 ve Final Cut Pro gibi profesyonel ara\u00e7larla ak\u0131c\u0131 bir \u015fekilde uyumlu hale geldi.<\/p>\n\n <div class=\"image-container\">\n <img decoding=\"async\" src=\"https:\/\/www.accusys.com.tw\/wp-content\/uploads\/2025\/07\/df1116_wtf_3.jpg\" alt=\"Film Production Team\">\n <\/div>\n <\/div>\n<\/body>\n<\/html>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Accusys ExaSAN storage and Apple Final Cut Pro X enabled high-quality, efficient VFX work for ‘Whiskey Tango Foxtrot’ with a 160TB storage system.<\/p>","protected":false},"author":1,"featured_media":990863,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[63],"tags":[],"class_list":["post-988442","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-success-stories"],"_links":{"self":[{"href":"https:\/\/www.accusys.com.tw\/tr\/wp-json\/wp\/v2\/posts\/988442","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.accusys.com.tw\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.accusys.com.tw\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.accusys.com.tw\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.accusys.com.tw\/tr\/wp-json\/wp\/v2\/comments?post=988442"}],"version-history":[{"count":5,"href":"https:\/\/www.accusys.com.tw\/tr\/wp-json\/wp\/v2\/posts\/988442\/revisions"}],"predecessor-version":[{"id":990937,"href":"https:\/\/www.accusys.com.tw\/tr\/wp-json\/wp\/v2\/posts\/988442\/revisions\/990937"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.accusys.com.tw\/tr\/wp-json\/wp\/v2\/media\/990863"}],"wp:attachment":[{"href":"https:\/\/www.accusys.com.tw\/tr\/wp-json\/wp\/v2\/media?parent=988442"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.accusys.com.tw\/tr\/wp-json\/wp\/v2\/categories?post=988442"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.accusys.com.tw\/tr\/wp-json\/wp\/v2\/tags?post=988442"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}